![]() ![]() you really need to know what you're doing. (Personally I'm fan of formal education for this.) I know that sounds sarcastic, but, there is no right answer to the question whose parameters are the best. You know what settings are best knowing what you are doing. In the latest version of Premiere Pro, it is possible to change the settings for the sequence. Is it possible to change sequence settings after you start a project? Also, how can I know what sequence of parameters are best for clips that I have? If anyone has this problem I'd love to hear a plausible explanation of the suggestions on how to avoid it in the future. In the end I just transcoded the original files in Pro Res 422 and replace the corrupted in my project files. I updated my drivers and nothing has changed. ![]() If he has no idea why this interview has been damaged please let me know. All images were shot with the same camera settings and I used Media Info Mac to ensure that color space, rate, codec profile, bit depth, extension, etc. However, as soon as I click videos stuck together, I get the error seen in the third picture and closed unexpectedly on me first. I tried to copy it to the other video content to the sequence with this one interview, and it copies correctly. When I copy this video in another fixture with different sequence settings video appears as if the Middle vertical pixels have been stretched to the left and to the right. ![]() ![]() An interview in particular do this weird thing when one of the clips are placed in a timeline set as his videos, the video seems normal. mxf video in some sequence settings in setting up first Suggestions?Ĥ am I wrong don't not downsizing first stills (at this point, that would be quite annoying and time consuming)? I suppose that my output will be H.264, but am unsure of the preselection: (29.97, 1920 x 1080, etc. start with 'Set to the chassis' when displaying of full image fixed - before that it has blown up or repositioned?ģ. Here are a few questions:ġ should I set the sequence with still video and mixed media not best for 1920 x 1080, give me leeway to blow and reposition the stills?Ģ. (However, which now leaves a lot of space to enlarge and reposition the parts of the image when desirable ("Ken Burns effect").) And if I worked with a sequence of 6000 x 4000, I scale videos to more than 300%. So if I work with a video sequence of size, videos naturally adapt to the screen, but most of the clips, still images, must be scaled down to 27% to fit the screen. To make a high def product over for Projection on a computer screen (or USB stick) or maybe Blu Ray, I probably want to a final product to 1920 x 1080 - is that correct? Each sequence must the stills and video clips - mixed. So if I have a drag the icon of new sequence to begin, I have a sequence with 6000 x 4000, 29,77 fps, and if I start by dragging the video on the new icon of the sequence, I work in the sequence format of 1920 x 1080, 59,97 fps. It will be 1/3 video clips, 1920 x 1080, native 60 fps. My project will always contain images of two thirds of the clips: usually psd, 6000 x 4000 when cropped, 3:2 aspect ratio. I've seen the videos saying not to worry about the sequence settings - just drag the new icon of the sequence and start. ![]()
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